Economics of tiered vs dumb network

A neutral Net needs up to twice the bandwidth of a tiered network

This article is a bit dated, but here’s an interesting take on  the economics of tiered vs dumb network architecture:

According to Isenberg, the cheapest and best alternative is simply to build out dumb capacity: to “overprovision” by as much as 100 percent. The “bandwidth is scarce” argument plays right into the hands of the major ISPs, which can use it to start charging a premium for crucial services that run across their networks. If they simply built out the networks to the point of abundance, they couldnt make all this extra money.

Its Fair Use Day

Did ya know? Its Fair Use Day: July 11, 2007

I had no idea today was “Fair Use Day.”

As for how to make the best of Fair Use Day, founder Eric Clifford told Ars that users should “enjoy fair use in any way that you can,” but he added that “the problem is that the legal ways to exercise fair use is diminishing.”

Here’s my suggestion: spend some time browsing old 78s and cylinders over at archive.org.

Here’s the “official” blog post.

Copyright “Under NFL Rule”

Under NFL Rule, Media Web Sites Are Given Just 45 Seconds to Score – washingtonpost.com

From the organization that brought you the exaggerated “Any other use of this telecast … without the NFL’s consent, is prohibited.” statement at the end of every game, the NFL has imposed new rules on news organizations.

News organizations can post no more than 45 seconds per day of video shot at a team’s facilities, including news conferences, interviews and practice-field reports.

While outcome of a legal dispute can never be clear, “news reporting” is an explicitly stated fair use under section 107. Some parallels might also be drawn to the “human cannonball” case, Zacchini vs. Scripps-Howard. While this was really a right-of-publicity case, the majority makes a statement close to the issues here:

Wherever the line in particular situations is to be drawn between media reports that are protected and those that are not, we are quite sure that the First and Fourteenth Amendments do not immunize the media when they broadcast a performer’s entire act without his consent.

To me, 45 seconds constitutes quite a bit less than an entire act. However, there is a more interesting social angle to this story.

The NCAA, for example, recently generated controversy by booting a reporter out of the press box at a college baseball playoff game.

Beyond what is happening in copyright-like rulemaking, the NFL is able to enforce these extra-legal rules by social control.

Legal experts say the policies do not violate any laws, because the NFL is entitled to establish the terms of access to its privately owned facilities.

This appears to be true (unless interviews occur on public streets). It might be the NFL is able to hold news organizations to these limits because of an unstated understanding that they could loose access to coaches, players, and facilities if the limits are exceeded.

Control over copyright can be strong, but combining it with social efforts to control are often even stronger.

Infringing parody?

A Spurned Parody of ‘Die Hard’ Returns to YouTube, Approved – New York Times

Here’s an interesting story of an “infringing” parody.

The story seems familiar to online video users: fans create a parody video using pirated studio content and post it on YouTube, and the studio’s lawyers quickly have it removed for violating copyright law. But this time the studio’s marketing team relented —and even paid the fans to repost their video.

First, the story assumes that the material that went into the material is “pirated,” despite the fact that parody is a well-established fair use. Not having seen the video, I can’t comment on how infringing it might be, but the opening of the story seems to convey that any use of copyrighted material is “piracy.”

This is also another interesting case of how user created content is finding its way into the mainstream… at least in this case the creators were paid for their efforts (plus being able to use and display the materials, plus the exposure gained by this story).